custom family free

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Becca recently finished creating a custom, folk-art inspired family tree for a private client.

This is about 4′ wide, hand-painted and hand-lettered. Two spots are intentionally left blank for twins on the way!

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Museum updates

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Our renovation at the Charleston Museum is really moving along! It’s been really exciting watching the plan unfold and seeing drawings and plans coming to life. The initial designs are all complete and we’ve begun working with the excellent folks at the museum as well as an awesome fabrication company to work out all the fine details.

We’ve also started to restore the taxidermy that will be living in the new exhibit, as well as digging through the myriad of items the museum has in its behind the scenes collection to see what new things we can add. It’s so much fun seeing all the really beautiful and bizarre things the museum has in its collection.

The Charleston City Paper wrote a blog post about the renovations this week, including some interesting tidbits about Charleston’s history that are integral to our new exhibit. Take a peak!

Looking forward to more progress and updates to come.

Reptiles, oh my!

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March, thus far, has been the month of reptile friends at Sisal & Tow.

We had the pleasure of creating a custom rattlesnake skin belt for a local client here in Charleston. We were given the skin, which we then tanned and hand sewed to our leather before adding the hardware. Looks so good, we were almost tempted to keep it for ourselves!IMG_0996

Our next reptile friends, came in the form of four turtle shells that needed a little help. We cleaned them up, got them looking so fresh and so clean, and then created custom mounts for the client to display them in their home.

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And for good measure:  Turtles

unsolicited advice

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Once and a while, I get emails from people who are interested in starting their own businesses, asking how I knew when to “take the plunge” and how I got to where I am. The truth is, I’m still getting to where I’m going. However, I never refuse the opportunity to recall my path and remember my roots – it’s very revealing.

I figured I might as well post one of my most recent answers, edited a bit for the internet. I hope it does not come across as anything but an offering of unsolicited advice, and a place for me to put my story.

“I would be happy to tell you my story, which hopefully will be inspiring or helpful to you at your crossroads.

I feel lucky that I knew my calling from a young age. I was painting since I was able to hold a paintbrush.
I never liked school- math, science – I was so frustrated by it. I loved art. It’s where I felt most at home. In 10th grade, with my parent’s support, I switched from public to private school in order to take more art classes.

I applied to 4 art schools, and ended up going to the Rhode Island School of Design. I majored in Illustration but did mostly 3-d work. My teachers suggested I learn how to do taxidermy as I was very drawn to natural history, medical illustrations, magical realism, the macabre.
Per their advice, I went to taxidermy school. Took a risk, I guess- 6 weeks in the middle of Missouri, alone, studying this weird art. But I felt it calling so I answered it.

In 2009 after graduating I moved to NYC, worked at a natural history store and interned at the American Museum of Natural History. I worked so hard, and so long, I was the first to arrive and the last to leave. I was probably that annoying girl. You know the one. They hired me, finally, and I quit the retail. I worked there on and off (in the”off” I had other taxing but exciting jobs, like working for a metalsmith) and gave it my all but decided that the lifestyle wasn’t for me… NYC was too hard, too grating and generally intense. I was tired of getting pushed around. As a Gemini I wanted to do the pushing. I was in need of a change, so I took another chance and moved to Charleston.

Charleston has been very nurturing for me, but I can’t say it was easy to get into the scene here at first. I met anyone who would talk to me. I said yes to EVERYTHING. I babysat, taught private art lessons, worked restaurants, silly freelance gigs, and then went around to everywhere that was even “close” to the museum of natural history (i.e. the SC Aquarium) I gave my resume and website and said hello to anyone who would see me. Then I landed a few solid volunteer opportunities and then jobs that were in the realm of what I wanted to do. In the down-time between those neat jobs I thought, why not do this myself? I officially quit my retail job. Oddly enough, around that time, my Grandmother passed away and left me a bit of money, so I felt better about quitting the daily 9-5. It was a double edged sword for sure. I have spoken to a lot of people in this boat who don’t have a grandmother giving them any supplemental funding, and it’s tricky. There’s no “good time” to quit your day job. I am lucky to have had her support.

I love my job so much, but each day is a challenge, and to be completely honest, I’m not totally sure what the future holds for me. I don’t mean to sound negative, it’s quite the opposite. I’m SWAMPED with work and the business is starting to be incredible and overwhelming, but I have to constantly remind myself to look at reports and actually see if I’m being realistic. That being said, I pay my bills andI’m living a decent life… So, I plan on aiming for world domination. Just kidding. I would never want anything that leaves my studio to not be touched by me. I would love to continue to grow, but there is a limit.

So, long story not so short, I said YES a lot, even when I was scared, and I took a lot of chances, I stayed positive (and continue to try to) and tried to remain neutral about the outcome of it all. Nobody is born an expert on anything so I try to give myself time to adjust, learn, and reason. ALSO, I was friendly to EVERYONE. Even if they sucked. You have to be, because you just don’t know who might hire you in the future, or ask you for a favor, or maybe you’ll ask them for a favor… you know. Karma’s a bitch.

Anyway, in terms of a craft, or taxidermy included, any craft is what you make it. It’s about how much work you put into it. My advice there would be to create a brand if you need to, but DON’T OBSESS over it. It’s not about your BRAND, it’s about the WORK you put out. The work should speak for itself. You should be more concerned about the details of your product instead of how many instagram followers you have. All of that social media stuff is fabulous, and important, a great marketing and branding tool – but the actual work… how long you took to make it, how you re-did the parts that lacked finesse… that’s the stuff that’s going to make your work stand out. Anybody can make a zipper pouch, but are you PROUD of YOUR zipper pouch? What makes it worth what you’re charging for it?

I think it’s just about being positive and a dreamer but also being realistic and level-headed. I’m still on the dreamer side of things at the moment, but for example, just took on a huge job renovating the Natural History Gallery at the Charleston Museum, so that’s keeping us going while we take on more and more smaller jobs, getting the brand solid and getting our work in the world.
Be true to yourself, listen to your heart, go with your gut, and you won’t go wrong. Or, at least, that’s how I see it. Sometimes you’re not going to land that big job, and sometimes you’ll land it when you’re not ready for it and you’ll have to make it work.
Love,
Becca”

Memories, Nostalgia

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We recently had the privilege of creating some personal memorial boxes for a family who recently lost a loved one.  The fabric for the backs of the boxes is from the family member’s shirts, and the flowers are pressed and preserved from the memorial service.  These boxes are a lovely way to have a very special keepsake and preserve the memories of the extraordinary people who come and go in our lives.

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We love being able to create something personal and meaningful for our clients.  These shadowboxes were inspired by Victorian mourning wreaths.  In the 1800’s, family members would give a lock of their hair, typically to their mother or grandmother, and she would weave the locks into ornate flowers or other designs that would reside within frames, brooches, watches, etc.  These pieces of jewelry would be worn daily by husbands and family members, and the frames would be displayed in living rooms and parlors.  Today, taking locks of hair and turning them into art would probably be frowned upon, but in the 1800s it was nothing out of the ordinary.  


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The idea of such a personal memento really resonates with us, and we would love to do more work in this vein.  And as with the hair mementos, they’re not just created in times of mourning.  Husbands would wear a lock of their (living) wife’s hair in his watch!

Options are but not limited to:

Wedding boxes- veils, bouquets, your invitation, stained glass created from the broken glass at a Jewish wedding

Baby memorabilia- baby teeth, ribbons, a rattle, pages from a favorite children’s book

Misc. Memorabilia- hair, clothing, pressed flowers, animal collars

All can be embellished with ribbons, flowers, butterflies, or other natural/decorative objects.

We can do any size, any frame style.

Thanks for looking, happy holidays y’all

Fall Update

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IMG_9795My apologies for the radio silence, we have been so busy here at Sisal & Tow, including organizing the studio with Heather Powers!

Our latest news is our newest addition, Courtney! She moved here from Texas to work with me and so far we have had two very productive months.

We finished articulating a bulldog skeleton and we created a custom wall hanging for Sea Change PR in Mount Pleasant. We are also working on a unique installation for The Ordinary, as well as the 3-d model for the Charleston Museum’s Natural History Gallery renovation.

We finished up some cool stuff for the Miccosukee Tribe in Florida as well.

On Halloween we had a popup at The Beacon hair salon, and we want to thank everyone for coming out to look at insect boxes, temporary tattoos and prints of drawings!

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Thanks for reading, and more updates soon!

What’s new, and some press!

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I was asked to join Kate and Ben and a bunch of lovely people to a garden party for Williams Sonoma. We had a great time, and they asked us to name some of our favorite local spots in Charleston.

Read the article here! 

Additionally, I have been interviewed as part of the Charleston Gaillard Center campaign. They are scheduled to re-open soon, and they are interviewing people in the community about how the arts have effected them. Here is my response! 

We have been mounting roosters for the Belcampo Meat Co. (AGAIN!) And working on some custom wallpaper for The Dewberry Hotel. Also, we are working on the design for the brand new Natural History Gallery at the Charleston Museum! More on that later. (Much more!)

Cheers to a busy and productive (but relaxing) summer…

do what makes you cry (sometimes)

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“at the borghese museum, bernini made me cry. i wonder how many dead men can make a girl tingle, then shed tears. daphne and apollo, he made at age 24. the rape of persephone is tragically beautiful and absolutely flawless from every angle.” – me in 2007

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I recently read some silly internet article about a little boy who was so completely obsessed with garbage trucks, he would wait for them to come every week and freak out. On his birthday his parents asked the garbage men to stop and talk to him, and show him the truck and he freaks out so much he’s sobbing. He can’t even handle meeting them because he’s so overwhelmed with love and excitement and, well… obsession I guess. This photo is priceless.

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I’m not saying making art every day makes me freak out like that. Sometimes I still get a tingly feeling where I feel like my arms might fall off or fly away. Nowadays I get pretty caught up in running my business and scheduling things and multi-tasking and sometimes it’s hard to remember why I’m trying to make things and manage projects at the same time. Somehow, it gets done. I guess what I’m saying is, when I look back on why or how I got here, I wouldn’t want it any other way.

My advice to you: find what makes you tingly, find what makes your eyes well up, and try it. If you screw up, keep trying it until someone believes you can do it and hands you some responsibility surrounding it. Then do it again until somebody hands you a small check. Then do it again until people need you to do it, because they see your light and how hard it is to put out.

Rufous, The Stuff of Life

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Rufous: the Stuff of Life was a huge success- a huge, heartfelt thanks to everyone who came out to support us!

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Things that are exciting, and happening now are:

-Custom Cloches and Taxidermy for the Spectator Hotel

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-Set design and fabrication for a local film company… another collaboration with Finkelstein’s Center!

-Custom Wallpaper for a new hotel (more info later!)

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-Custom wedding invitations… the beginning!

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-And perhaps a major renovation for a local museum (more info later, too!)

Valentine’s Day! Temporary Tattoos!

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A lot going on here at Sisal & Tow…

Getting ready for RUFOUS: THE STUFF OF LIFE!

Michelle and I are working around the clock to bring you a super cool show. Please join us for the opening… 2.12.15 (That’s a THURSDAY!) from 6:30-9pm. Michelle and I are giving a little talk at 6 if you can make it. We might be sweaty and nervous but we promise we won’t be horrible.

Here’s a great little article by Elizabeth Bowers about the show. 

Here’s a link to the Facebook page for easy sharing!

In the world of fabrication, I’m working on an installation for the Cigar Factory, a lot of taxidermy repair work, (finally) articulating a bulldog skeleton, and there’s some really exciting possibilities for a new mural for a hotel in the future. More on that later.

Also, there’s a valentine’s day sale at www.sisalandtow.bigcartel.com if you use code SPREADTHELOVE you get 10% off your order, plus use code LOCAL for pickup option. We have temporary tattoos in the site, and Olivia Rae James took a bunch of awesome photos for the lookbook. See below!

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Raven and I are modeling!